Protesting that he never saw Ferrara's film, Herzog asserts that his Bad Lieutenant (set in New Orleans) has nothing to do with the other Bad Lieutenant (set in New York) except that both of them are about corrupt police lieutenants seeking redemption. In the long history of puzzling remakes, Werner Herzog's Bad Lieutenant certainly must rank right near the top, if only because Herzog has insisted that it is not a remake. Not so long ago, Werner Herzog's The Bad Lieutenant: Port of Call – New Orleans was put into production. There was at the time no great demand for Keitel – a fine actor, but never a matinee idol – to show off his penis, even though it was a very splendid penis indeed, nor has there been any grassroots groundswell of support for this sort of thing afterwards. The film did nothing at the box office, and is remembered mostly because it is the motion picture in which Keitel shows off his penis. In it, Harvey Keitel played a morally bankrupt police officer who seeks redemption by investigating the rape of a nun who refuses to bring charges against her assailant, turning the Bad Lieutenant into the Mad Lieutenant. I n 1992, Abel Ferrara made a very dark, very depressing movie called Bad Lieutenant.
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